Monday, August 30, 2010

Reggae Lovers Make 'The Trod'

The fight to give live music a larger share of the musical landscape was served well on Saturday night after No-Maddz were successful in hosting the final in a series of events of that nature.

Hardcore lovers of reggae music made 'The Trod' to see some of their favourite reggae artists perform at the SportsMax Zone, New Kingston and were treated to an atmosphere which could do live music in Jamaica no harm.
Soothing reggae music filled the ears, there was plenty food and much to drink at the bar.
Nothing had started yet. Patrons rocked to Turn Your Lights DownLow by Bob Marley and Lauren Hill, Richie Spice's Ghetto Girl andEarth A Run Red and Gyptian's Beautiful Lady, while watching a largescreen showing pictures and videos with members of No-Maddz, the benefactors of this auspicious live music  event. The screen also showed images from Better Mus Come, an upcoming movie starring members of the group.
The wait was over and Down Stairs band hit the stage, performing a few of their songs. They were followed by the Raging Fyah band, which sangCaan Cool. The audience was done relaxing. Now they were dancing and singing along.
Everaldo Creary, a member of the No-Maddz quartet, welcomed reggae artiste Courtney John to much applause. That applause was warranted as John delivered an energetic performance. He also represented the lovers with hits such as Love Gonna Lead The Way and the remix of Nelly Furtado's Turn Off The Light.
Everlasting energy
Sezi, the lone female act to perform on the night, wowed the crowd with her vocals and what seemed like an everlasting energy. She made way for Jah Cure.
The Cure needed no introduction, as he made his entrance to the stage with the audience screaming in approval. He opened his hit-filled set withNever Find, before going into his catalogue of songs such as Love Is,Longing ForUnconditional LoveTrue ReflectionsCall On Me andWhat Would It Take.
The No-Maddz poetry quartet of Sheldon Shephard, Everaldo Creary, Chris Gordon and O'neil Peart took to the stage early Sunday morning. There entrance left no doubt who everyone had come to The SportsMax Zone to see.
They wasted no time going into songs such as The Trod and Bad Bwoy Ratty and they did a fairly new piece, Ginger, which had only been performed at Jamnesia held in Wickie Wackie, Bull Bay, St Andrew. The audience knew the songs and they sang along. The love for the group was not hidden.
The general consensus, it seemed, was that No-Maddz had provided fans of live music and others, who might not have known what to expect, a good time.

Lutan Fyah thinks of new album

Fresh off a successful 10-show European tour where he "tore it up proper", Lutan Fyah is revealing he is mulling over producing yet another album.



The singer, who was born in Thompson Pen, St Catherine, and who describes himself as a 'singaholic', who is always in the studio, believes time is drawing nigh for a new body of work.
"I am thinking about putting an album together but we want to create a new vibe, so we a meds how we can come up with it," he said.
Thoughts of a new album have been inspired in part because of the way his music has impacted on the younger generation in Europe.
"When we go to the (music) festivals, we see 16-year-olds, 10-year-olds, the majority are the youth. The youth love the music," he said.
"When they organise dub-plate sessions, a some little boys you go see who own the sound systems, so I give thanks to know that the children gravitate to Lutan Fyah music."
Lutan Fyah recorded his first songs on Buju Banton's Gargamel Records and his first two albums were released by Lustre Kings and Minor 7 Flat 5. Early 2008, San Francisco's 2B1 Records released Africa, a double disc, 30-song album by the prolific singer.
The album included songs like St Jago De La Vega, Save the Juvenile and Outa Line, which are largely familiar to the sound-system audience around the world. It was released three years after Phantom War, a compilation of songs distributed by Britain's Greensleeves Records.
The former footballer-turned-singer is down to perform in California, Dominica and Suriname in the coming weeks and just recently performed in Canada.


Source Leighton Levy, Star Writer

Saturday, August 28, 2010

Out Of Many, One Rawsoul People


Stephanie Lyew, Gleaner Writer
With her European tour preparations well under way, songstress Etana, who still lives up to the Swahili definition of her name, 'The Strong One', spoke with Saturday Life about her latest projects and hopes for the future.
In 2006, when Etana became a solo roots-reggae artiste, she partnered with designer of Dattawd Designs, Andre Morris, to launch a casual wear line, Rawsoul, in March.
However, before her solo debut, Etana landed a job with Universal Studios as a singer in the girl-group Gift, but gave up that chance, rebelling against the gaudy attire that was required of her.
"I would get attention that I did not want for myself. What you wear says a lot about the way that people treat you," said the singer, commenting on wearing short skirts and showy clothes.
Etana walked away from music completely and returned to Jamaica to open her first business. But music always remained her number-one passion. In 2005, she again received the opportunity, this time to sing back-up for Richie Spice. That was the launching pad of her now successful musical career.
But Etana said she represents more than music. She has an element of entrepreneurship. Here's what Etana has to say about her strength and style.
  • How do you juggle business and music?
When it comes to music and writing, 'mi jus tek weh miself'. Music is not hard to write for me, because it's my emotion. However, I try my hardest to balance everything I do. I also have a good team of representatives who all play a significant role. So, Rawsoul, music and everything else gets the required attention.
Rawsoul clothing line includes a wide variety of styles, including short shorts. For a female reggae artiste with a conservative style, why would you represent a brand that includes short shorts in their line?
Rawsoul is a clothing line for anyone, male and female, and the items range from T-shirts, tanks, long skirts, short skirts and shorts. At age 16 and 17, I was wearing short skirts and shorts, but I guess a change in image was needed. Not everybody wears dresses and long skirts like I do, yet I can still represent the line, even though it doesn't necessarily represent me.
  • What's your favourite article from the line?
My favourite piece is a simple, yet strong T-shirt that has the words Rawsoul across the chest in metallic silver. It reflects my personality and personal style.
  • Where does the inspiration come from in creating the design?
The main inspiration for starting the line was to create something that freely expresses oneself. The creativity that lies within every human is sometimes suppressed due to fear of failure or other reasons.
The inspiration for the designs comes mainly from different art forms and the Jamaican people - observing how and what they wear and how they live.
  • With the ban on expletives in music and commercially, do you think the name Rawsoul will spark controversy, especially with you being a singer who emphasises positive lyrics?
Let's set the record straight, Rawsoul means the intellectual nature of a person in its purest state. The word raw means untouched, unchanging, natural and untainted, and soul refers to the spiritual self. When put together, Rawsoul then means a spirit that is untouched by negativity and the brand represents this free expression. It's just a good play on words, turning something known to be negative into something positive.
  • Speaking about free expressions, that is the title of your new album that was to be released but is now on hold. Why the hold-up?
It was time to revisit some of the songs and issues with the production of the album, but it will be released on November 9.
  • What's the Free Expressions album like?
The 2008 (album), the music was a mixture with R&B but Free Expressions goes deeper into the roots-reggae. It is roots, rockin' raw-soul reggae - very open and honest lyrics.
  • Promotion plays an important role in every aspect of your career. How do you plan to promote your album and the clothing line this year?
The tour should promote the album, internationally, along with radio play. As for the clothing line, promotion comes through me wearing the shirts while on tour.
  • Where can persons interested in Rawsoul find it?
The shirts are available at Collectibles T-shirts in the Village Plaza, Spicy Couture in the Mall Plaza, Glam Gods and Goddesses at The Treasure House, Shop 5, 96 Hope Road, and Stacie's Boutique in Half Moon Shopping Village and Secrets Hotel.
  • What other business endeavours are you taking on for the rest of 2010?
Well, the Etana notebooks are available at Kingston Bookshop. With the recession this year, we have sold the books at a reduced price, allowing the store to sell at a lower price too. They are 200-page binders with photos from shows on the cover, along with quotes from my music and myself.

Friday, August 27, 2010

Mutabaruka examined as an icon, a visionary

Mutabaruka - Photos by Mel Cooke

By Mel Cooke

In one of the four final panels on the final day of the inaugural Rastafari Studies Conference, poet and broadcaster Mutabaruka was examined from four perspectives at the University of the West Indies (UWI), Mona.
The panels' placement in the largest room utilised by the conference, the N1 Lecture Theatre, may have indicated expected audience size at last Friday's session. If so it was justified, as a large audience turned out to hear Professor Carolyn Cooper, Michelle 'DJ Afifa' Harris, Hugh Miller and Ras Takura present, Velma Pollard chairing the session.

The papers were as varied as Mutabaruka is multifaceted, but Harris hit on a common thread during the post-presentation interactive session. Harris, whose paper was titled 'Mutabaruka: the Icon', said that "he is a practical example ... . Everything about his life shows you how you can question". So Mutabaruka can say Rasta and still not smoke.
Cooper's paper 'Mek We talk Bout de Bottom a de Sea: Mutabaruka's Submarine Poetics' spoke to his poetry and its focus on memory through the transatlantic voyage. She focused on his 1994 Melanin Man album, with track four, Killin, inspired by a visit to the Holocaust Memorial. Cooper described Mutabaruka's approach as "an intellectual reasoning that dispels lies and reclaims truth". She said while he does not disdain the work of building physical museums to honour our history, his "redemptive talk" serves the same purpose.

In her aquatic analysis, Cooper referred extensively to artist and illustrator Tom Feelings and also spoke to James Brown's Black and Proud, which he said cost him a lot of his white audience. The description of sharks following the slave ships for miles to feed on the discarded dead (or maybe some of those who tossed themselves overboard) was particularly harrowing. The seabed, then, becomes the organic museum of African people.

Rapacious explorer
Cooper said that in Colombus Ghost Mutabaruka takes on the mask of a rapacious explorer, quoting from the poem at length. She said that in his poetry Mutabaruka "brings to the surface the history of African peoples" and termed his work "revisionist history".
Miller spoke on 'Mutabaruka - A Global Development Theorist: A Sociological Perspective'. So he looked at Mutabaruka as a development thinker, seeing the poet's decision to go barefooted as a profound statement on freedom as development.
He is also concerned with "terminologies or what people will think when you say a particular phrase or word like 'God' or 'Bible'." "Sociology would see Mutabaruka as a cultural relativist," Miller said. He added that "Mutabaruka's developmental thinking has also helped us in overstanding Rastafari".
However, Miller cautioned that "not for a moment would I suggest that Mutabaruka would want to be called a development theorist".




Ras Takura gave a personal, heartfelt presentation in 'Mutabaruka: I n I Teacher', against the backdrop of a slide show of Mutabaruka images. Opening with the statement "Muta is Rasta. And him no really compromise that. Him often say religion was created by insecure men to oppress women. The man live Rasta".
He spoke to Mutabaruka addressing issues such as sex, money and death, which some Rastafarians would avoid. He analysed Mutabaruka's 'Whiteman Country' and said he has reasoned with returning residents who have said that poem made them come back to Jamaica.
In broadcasting, Ras Takura said "Muta authenticate Patois as an official language to use on the radio in Jamaica".
And on a personal level, he said "Muta teach I to grow still. As a youth is one of the only people who when him talk I understand. I never know my personal father until I was 20. Muta adopt that space in my mind".

Ras Takura closed with an excellent delivery of Mutabaruka's celebrated 'Dis Poem', Pollard commenting "you will agree with me that he has done his teacher proud".
In the closing minutes, Harris said that as a DJ, presenting music, "my interest in African music has come from Muta ... . He presents a very important role model for upcoming entertainers to follow. He has found his calling from early and he has made it into a life work and he has become an icon".
The first comment from the audience was a personal testimony to Mutabaruka's honesty as a businessman.

Thursday, August 26, 2010

Final Marley performance turns album


At the time, everyone in Pittsburgh's Stanley Theatre knew they were witnesses to history.


Bob Marley stood tall and proud onstage and beckoned them to Get Up, Stand Up, and they responded loudly with wo yo yo yo.

Later they discovered the history they witnessed was, in fact, Marley's last performance.
Live Forever encapsulates the pure energy of that fateful performance by Jamaica's most legendary son.
The original live recording, captured on tape by Marley's engineer Dennis Thompson, has been lovingly preserved and remastered for the 30th anniversary album release exclusively in the Caribbean.
Adding to the distinctiveness of the collection-worthy album is the special eco-friendly packaging.
Bob had ascended to the pinnacle of his career when he took to the stage in Pittsburgh; he had just completed a successful European Uprising tour and had played on sold-out bills in New York's Madison Squqre Garden . Simply put, he had arrived.

Everything about the concert was a reflection of Marley - the superior production, the masterful collection of musicians and the eclectic range of songs, emphasising the complexity of the man turned superstar.


Freedom fighter
As widely respected journalist Patricia Meschino alluded to in the Live Forever album liner notes, "He was an anointed African freedom fighter celebrating an independent Zimbabwe, a visionary reggae emissary, straight from "yard", on Jammin', and an exiled leader inciting the movement of Jah people on Exodus. A compelling ghetto griot, Bob warned of the impending consequences due to the continual marginalisation of the poor on Burning and Looting and Dem Belly Full; he was a purveyor of peace decrying War and insisting on No More Trouble and a progressive spiritualist glorifying the Natural Mystic. Effectively resolute in his desire to chase those Crazy Baldhead out of town, and in his excoriation of The Heathen, he was also a quintessentially cool roots-rocker, skanking to Carlton and Aston Barrett's deeply grooved drum and bass cadence on the instrumental break of Rastaman Vibration. An irresistible suitor who coyly asked Is This Love? Bob was also a vulnerable, absolutely riveting romantic in his passionately conveyed rendition of No Woman No Cry.

The album also includes live renditions of: Uprising, Coming In From The Cold, Work, Zion Train, Redemption Song and Could You Be Loved. The entire concert, from his opening song to the final applause, spans the special double CD album.
Live Forever is Bob's last live recording from his final concert. This definitive Marley album, special double CD  in eco-friendly packaging, is a limited regional release which becomes available through Tuff Gong Distribution on September 23.

Source jamaica-gleaner.com

Wednesday, August 25, 2010

Sizzla's performance at this years Chiemsee Reggae Summer has been canceled!

Wednesday, August 25, 2010



The planned for Sunday appearance by Sizzla unfortunately had to be canceled for security reasons. Groups from the radical left spectrum of risk with the application of several demonstrations in the immediate vicinity of the festival site, the security of the event. In addition, the festival boycott of Alliance 90/The Greens, and their mention of possible unrest a peaceful and orderly conduct in question. In particular, the imminent deployment of groupings to the left-wing spectrum are assigned, such as the "Alliance Rabatz," the autonomous networking Upper Bavaria / Salzburg / Tyrol, the authorities and make our biggest worry. The orderly and peaceful conduct of the festival seems in danger if we perform the scheduled appearance of like Sizzla.We are concerned with nothing less than the physical safety of festival visitors, the implementation of a concert by possible attacks by the protesters can not be guaranteed.
This uncertainty has given us, though we have entered sustained for artistic freedom and against censorship, ultimately persuaded to cancel the concert. We would however like to emphasize that artists like Sizzla a platform should be given within the existing constitutional principles to represent their music.
The replacement for Sizzla will soon be announced here.
24/08/2010 

Tuesday, August 24, 2010

Anthony Cruz cruises through Canada

It could easily have been called making up for lost time as singer Anthony Cruz cruised through Canada on his first professional visit to that North American country.
"It was as if the people were holding their breaths and waiting for me," an excited Cruz said, his eyes flashing with glee. "They knew my songs like Half-Way-Tree, but they had never seen me perform live, and it was a big thrill for me to be so appreciated. It was just a joy," he said of his performances at the Jamaica Day Festivals in Toronto and Ottawa and Jambana in Toronto.

According to the reggae singer, who is the nephew of the late Garnett Silk, the positive energy from his Canadian trip was in no way lessened by the fact that the Jamaica Day Festival in Toronto had to be rescheduled. "I did a lot of radio interviews, signed autographs at the venue and really enjoyed the whole pre-show vibe before it was cancelled due to rain," he explained.
And what he didn't get to give his Jamaica Day fans, he unleashed at the Jambana Festival in Downsview Park . Also on the bill were Fab 5, Frankie Paul and Canada-based reggae singer, Steele.
His next gig was at Club Northern Tropics where he played with mostly Canadian artistes like Visionary, Mystics, Princess Anla and Nikki.
In Ottawa, which was another first, Cruz was one of the headliners for the Jamaica Day festival there. He was full of praise for the promoters of the event at the Club Rozz Entertainment Complex , and also for the fans who showed their support. "That show had me, Tinga, Frankie Paul, Visionary and we all gave the people their money's worth," he recalled.
He then turned his attention to the French Canadian city of Montreal which was hosting the successful annual, Montreal Reggae Festival. For Cruz, the question that he was repeatedly asked was, "Why has it taken you so long to get here?"
His answer, "Nothing happens before the right time."
According to Cruz, who's now busy promoting his latest single Downtown, the people in Canada showed him so much love that he can't wait to return.

Source jamaicaobserver.com

Sunday, August 22, 2010

Luciano claims innocence


 He Is celebrated and revered for his uplifting musical messages, delivered through songs including Sweep Over My Soul and What We Need Is Love. He was even awarded the Order of Distinction by the Government in 2007.

But earlier this year, reggae star Luciano hit the headlines in a shocking story that brought his reputation into question. Following a shoot-out between a gunman and police officers at Luciano's home in in March, the reggae star was charged with harbouring a fugitive.
The gunman, Andrew Senior, also known as 'Conqueror', shot and injured three police officers in the incident, which eventually ended when he was shot and killed by the police.
Subsequently, Luciano, whose real name is Jepther McClymont, was arrested and charged with harbouring the gunman, an accusation the singer refutes.
"You see what happened ... my gate is always open to Tom, Dick and Harry," says 45-year-old Luciano. "But I've learned that that is to my own peril. Out of the kindness of my heart, I open my home to people, but not everyone that comes in has good intentions. That's the situation I found myself in."

He continues: "This was someone I started helping from years ago. He was trying to change his life - he had children. But I got caught up in this situation. This man was wanted [by the police] but he wasn't advertised as a wanted man. So the way that the security forces went about handling this situation was really barbaric.

"They [the Jamaican government] acknowledged me as a man who was worthy of being given the Order of Distinction; a man who has respect in the community.
"So when they learned that I had a wanted man at my place, they should have approached me better than they did, rather than accosting my property the way they did.
"Even an inspector told me that after the case is over, I could sue the authorities for reparation of my house and for the way that they damaged my property and defamed my character. So I know my rights. But for now, I just swing low and take it easy."
He continues: "They [the prosecutors] have nothing on me. My record is clean. They're accusing me of harbouring a fugitive but it wasn't like that. The brother was looking for a safe haven and unfortunately, he came to my property."
Due back in court next month, does Luciano regret opening his home and extending his kindness to so many people?

"When you're seen as a leader, people will always come to you with their problems," he says. "Some people go to pastors - look at [alleged drug lord] Dudus and Reverend Miller.
"That's the thing; people who need help aren't going to go to the government because the government will lock them down. So that's the position that a lot of artistes find themselves in; people come to us for help. But this situation has really opened my eyes. It's nice to be kind but you have to be careful too."
Though Luciano explains he wasn't at his property at the time of the shoot out, did it frighten him to think that he too could have been caught up in the crossfire had he been home?
"Honestly empress, I grew up rugged. I never grew up as no soft, uptown yute". So I'm used to the obstacles that come along life's way. But what did frighten me was that any of my family could have been hurt in this situation. But thanks to the Almighty, they came out scratch free."
Now, with his focus back on his music, Luciano (or Luci, as I found myself calling him, thanks to his endearing character) is excited about the release of his new album, United States of Africa. The album title addresses Luciano's desire to see the various African countries uniting to form 'one Africa'.
"The various leaders in Africa have to recognise this need," he says. "Once the leaders realise that Africa was once a mighty nation, they'll realise that they need to come together as a nation. The so-called leaders of the world are calling for one world order - so why not one Africa? Why should a man from South Africa need a Visa to get into Ethiopia? It's a joke. We can't just turn a blind eye to this, empress."

Well known for his desire to educate and inspire people through his music, Luciano doesn't stray from this way of thinking on his latest offering.
Proclaiming himself a messenger, the star has little time for the more frivolous aspects of reggae's dancehall scene, and so, unsurprisingly, didn't get caught up in the 'Gaza vs Gully' warfare that dominated the dancehall scene last year. (For those not in the know, Gully and Gaza - in short - were two opposing groups in the dancehall scene. Gully is spearheaded by dancehall star Mavado, while Gaza was fronted by fellow deejay Vybz Kartel).
"Ah, it's a joke ting, man," Luciano said of the warfare between the two groups. "I believe all of that is for the yute - just like Christmas. When you're a child, you enjoy Christmas, but when you grow up, you realise that Santa Claus is false!"
So, of course, Luciano has no intention of joining the dancehall bandwagon. Instead, he says he'll continue to spread positive messages through his music.

"Not everyone has gone into this dancehall craziness; talking about Gully and Gaza and all that kind of stuff. There are big people in this world; educated people who have studied and are elevated and know what's important in life. There are plenty of people who still want good, conscious music. So all when me reach 90 years old, me still ah go strike di hammer  [laughs]!"
United States of Africa, Luciano's latest album, is now out on VP records.

Source jamaica-gleaner.com

Saturday, August 21, 2010

Japanese Reggae

                                                                                                                 Chiho Suzuki
The Japanese have been making reggae almost as long as Jamaicans have been exporting it. This phenomenon could have started as early as the mid-’70s, when the film “The Harder They Come” grafted the crime drama to Kingston’s reggae scene and became an international cult classic. Or, more likely, it began sometime around 1979, when Bob Marley landed for the first time in the Land of the Rising Sun. Since then, the reggae scene in Japan has cycled through several styles and sub-subcultures, but only in recent years has one crucial aspect of its identity fully emerged: Finally,  Japanese reggae stars are singing in Japanese.
Yes, the performers still punctuate their lyrics with Jamaican patois and channel dancehall reggae’s tinny, digital riddims . And Kingston remains a crucial pilgrimage destination. But in Japan, whose appetite for foreign forms and fashions is insatiable, Japanese reggae has passed the point where critics — like the author of a 2002 vibe article who described Japanese dancehall enthusiasts as wannabes — can dismiss it as another cultural curiosity. “Japanese dancehall is becoming more and more Japanese,” says Marvin D. Sterling, an Indiana University anthropologist whose book “Babylon East: Perfoming Dancehall, Roots Reggae, and Rastafari in Japan” (Duke University Press, $23.95) came out last month.
As for the music? Much of it — while sonically similar to its Jamaican antecedents — is not bad, says Sterling.  “They’re trying to do something different from what’s been given to them,” he says. “I see a lot of creativity in their music.” Sterling mentions bands like U-Dou & Platy in Okinawa, which incorporates the banjolike sanshin into their songs, and singers like Ninjaman , whose social concerns Sterling admires — if not the nationalism and homophobia that he inherited from some Jamaican musicians. Japanese practitioners, he says, often identify with reggae out of a shared sense of “blackness” — some channel anxieties over Western monoculturalism; others are of Korean descent and identify with the nationalist, anticolonial message of the genre. Still others are drawn to reggae’s messianic themes.
These days, the Japanese reggae scene is more rude boy — or even rapper — than rasta. A vibrant roots reggae scene flourished in beginning in the mid-’80s, but ebbed about a decade later. And there’s still a population of spiritual, ganja-smoking disciples of the Rastafari religion; they live mostly in Japan’s rural communities. But the scene is now dominated by dancehall — the pulsing, sweaty variant of the genre that centers on the D.J. clusters known as “sound systems.”
The current dancehall boom aligns with the success of Japanese performers abroad. Yokohama’s Midhty Crown won a 1999 sound system competition — a “sound clash” — in New York; the group now plays to tens of thousands in Jamaica, New York and hubs of the Jamaican diaspora in Canada and Germany. And in 2002, the Japanese reggae dancer Junko Kudo became the first non-Jamaican to win the Dancehall Queen contest in Montego Bay, Jamaica. Now, the largest contingent of international contestants there is Japanese. Kudo’s uniform has become something of a blueprint for Japanese reggae dancers: gold dreads, “Daisy Duke” cutoff shorts, knee-high socks.
Still, at spaces like Buenos and Harlem in Tokyo’s fashion-incubating Shibuya district, Club 24 in Yokohama and Metro in Kyoto, you won’t see too many dreadlocks. Sterling says dancehall fashions are urban but amorphous — kids will incorporate signifiers like the reggae colors of red, green and gold into boutique-bought outfits. Men wear athletic apparel, women aim mostly for tight-fitting but unrevealing, as most forms of reggae contain a conservative streak. “The ideal is anything goes,” says Sterling. “Within reason, anything goes.”
 Source tmagazine.blogs.nytimes.com

Wednesday, August 18, 2010

Pre-festival Concert on Friday in Benicàssim

This Friday 20th August the warming up the Rototom Sunsplash engines will begin with a pre-festival concert in the Benicàssim at 20:00 in the Plaza de Les Cortes Valencianes. Black Gandhi, Dig-Ital-Dubs, Jamaican Memories and The Rototom Selektas will all be performing live.
It will be the first night of reggae in anticipation of the eight days of Sunsplash.
Free entrance, see you there!
Source rototomsunsplash.com

Sunday, August 15, 2010

At 62, Jimmy Cliff treats a massive stage like a dancehall at Mile High Music Festival


Jimmy Cliff and his band delivered all of the expected musical components within the first strains of their hour-plus set. The godfather of roots reggae and his ensemble set down a set composed of syncopated beats, choppy 2/2 guitar accompaniment and standards of the genre, including multiple selections from the The Harder They Come soundtrack.But Cliff's performance included deeper cuts and cues, elements that pointed to the roots of the reggae and the richer history of Jamaican music. Since the release of The Harder They Come in 1972, Cliff has stood as an undisputed giant in the reggae genre, having helped to forge the genre from ska and calypso antecedents.
It's a legacy and a musical history that showed clearly in Cliff's mid-afternoon set. Cliff's backup band provided an intro worthy of a heavyweight boxing champion, touting the artist as a "musical legend" and citing his recent induction into the Rock and Roll Hall of Fame. With regal horn lines and syncopated rhythms as background, Cliff entered, clad in a yellow long-sleeved shirt and
 full pants, wearing a tri-colored Jamaican scarf around his neck.
Brian Landis Folkins
As he broke into "Wonderful World, Beautiful People," his energy was unrestrained. He gesticulated, he gestured, he cocked his fists and closed his eyes during the more emotional segments of the opening tunes. His opening selection included references to his most historic work -- versions of "Sitting Here in Limbo" and ''You Can Get It If You Really Try'' from the seminal 1972 album were among the first selections... Read More

Source blogs.westword.com

Toussaint Performs Tonight at Nectar Lounge - Seattle, WA, US

Sun. Aug 15, 2010
Time: 8:00pm
Where: Nectar Lounge Seattle, Wa, 412 N 36th St,
Seattle, WA, 98103, U

Thursday, August 12, 2010

Shaggy Poolside Performance

SHAGGY
DATE: Aug 12, 2010

The Palms Pool & Bungalows, in partnership with cruzan Rum, has announced another exciting live poolside performance in its cruzan camfire concert series. Reggae and R&B artist shaggy will perform Thursday Aug 12, 2010 at 9:00pm

BUY TICKETS

Wednesday, August 11, 2010

Moe's Alley & I-Grade Records proudly present the Feel Your Presence Tour featuring: Niyorah, Toussaint, Tuff Lion & The Jah Current Band featuring Celebrity Hornz.


Price $15/18
View Tour Dates

 About Niyorah
Nigel "NiyoRah" Olivacce was born on October 9, 1980 in the coastline village of Pointe Michel, Dominica. At age 4, he moved to St. Thomas, U.S. Virgin Islands, with his family, and cultivated an interest in music through listening to artists in his father's and uncle's roots reggae collections, including Bob Marley, Bunny Wailer, Burning Spear and Lucky Dube. By age 16, NiyoRah began chanting on the streets about the life experiences of the Savan ghetto in downtown Charlotte Amalie.
At age 18, NiyoRah decided to pursue a career in reggae music. "Reggae had one of the greatest influences on my life. It's the type of music I cling to for some mystical reason," he says. "The most high guided me more than me myself." He took on the name NiyoRah - a combination of his nickname growing up and out of respect for the omnipotent power of the sun. Music was a natural career choice because of his musically gifted family. His grandfather is an award-winning vocalist who sings Negro spirituals and gospel, while his aunt, Ophelia Olivacce Marie, is an international French-speaking artist heralded as "Dominica's Songbird" for her style of cadence and calypso. In 1998, he was introduced by local reggae radio personality Ras Manny to Black Juice Records, a Virgin Islands-based recording company. He joined with six other reggae artists under the company to co-found Star Lion Family. His voice can be heard on Star Lion Family's Ep "Brighter Days" released in November 2003.
NiyoRah's songs delve into a wide range of issues, including cultural living, love for nature, strengthening of all peoples, especially Africans, and spiritual growth. In concert, NiyoRah has performed in front of thousands, sharing the same stage with world renowned artists such as Sizzla, Capleton, Junior Reid, Buju Banton, Bunny Wailer, Glen Washington, Midnite Band, Junior Kelly, Marcia Griffiths, Eve, Erika Badu, and many others.
NiyoRah's albums, "A Different Age" (May 2005), "Purification Session" (June 2006) and "Stolen scrolls" (June 2008), were all released under one of the Virgin Island's top reggae labels, I Grade Records. His newly awaited and anticipated album, " Feel Your Presence" is scheduled for release in June 2010 under his new record label Denkenesh Records, which was produced in the island of Jamaica during 2009. The album will feature the dynamic Jah Mason on the track entitled "Bruk Down Barrier" and the legendary Sugar Minott on the track entitled "World Jungle". Since the release of his first album, Niyorah has toured/performed on the east and west coast of the U.S., Hawaii, Venezuela, Guam and various Caribbean Islands. He has performed in front of thousands at festivals/events such as the World Social Forum, Reggae Rising, Baltimore African American Heritage Music festival and the Sierra Nevada World Music festival to name a few. With his experience and relentless approach to the stage, he is definitely a spectacle to watch live with his band, the Jah Current band.

About Toussaint
With a husky tenor that is the epitome of soul, and with musical influences that range from roots reggae to gospel to neosoul to hip hop, Toussaint carries a sound that is true to his nickname, "the Liberator". His music is liberated from any boundaries in form or name. Yet Toussaint remains firmly grounded by his foundational pillars of soul and roots. As a "soul roots" singer unlike any other, and with an epic debut album on tap, Toussaint is poised to break new ground worldwide.
Toussaint began his musical journey where most of the celebrated soul voices of the past began: in the church. The son of a Baptist preacher and a gospel singer, Toussaint spent the majority of his youth singing in various churches in and around his home state of Indiana. Following a relocation to Boston in 2001, he began to sing with a wide range of groups where he learned to jump easily from the blues, to old-school R&B, to funk, to reggae.
In 2006, the word of Toussaint's vocal prowesses and songwriting spread to the ears of the soul/funk trio, Soulive, who invited him to join the band as their lead singer. Toussaint penned all of the lyrics for the acclaimed group's album, No Place Like Soul, released on the newly revived Stax label. Touring the world and performing at legendary venues across the world for nearly two years, Toussaint was able to share the stage with renowned artists such as Isaac Hayes, the Rolling Stones, John Legend and the Dave Matthews Band. Toussaint's stage performance, vocal strength and songwriting reached new heights during his tenure with Soulive.
After taking a break from the music scene in 2008, Toussaint has returned in full force, bringing his original soul reggae music to audiences in the northeast with the bands Buru Style and the Trama Unit. 2010 finds Toussaint poised for another swell in the storyline of his career. Connecting with St. Croix-based I Grade Records - the label behind several notable reggae releases by Midnite, Dezarie, NiyoRah & others - Toussaint has recorded an epic album of original soul-drenched, genre-defying roots music: Black Gold. Slated for a August 2010 release, the album's first single, "Be You", is already ringing through the airwaves worldwide, with a video filmed on location in St. Croix. Keep your eyes open for what comes next.

Source moesalley

Monday, August 9, 2010

A Water Logged Soul Kitchen

Jatta Records present Taj Weekes and Adowa's ground breaking third album, A Water Logged Soul Kitchen, set for worldwide release in August 2010. Their debut single, Rain Rain, ushers in a deluge of fresh reggae songs laced with acoustic strings including guitar, violin and cello with splashes of soulful harmonica and a touch of afro-folk simplicity for an album that will challenge listeners to redefine common perceptionsof reggae and where it's heading as genre.

Listen new track here

Source tajandadowa

Guinness Fully Loaded' reunion for Bounty, Beenie Killer requests 'state of entertainment

Deejays Bounty Killer and Beenie Man, Whose dancehall feud has lasted through three prime ministers and more than a third of the Jamaica has been an independent nation, called it quits a few hours after Independence Day 2010 officially ended.

They alternated snatches of hits - including past battle songs - to ignite the 'Fully Loaded' audience at Old Coal Wharf, Port Royal, Kingston, over and over again at a few minutes past 5 a.m. on Saturday. The truce had been called onstage before, as the two had performed briefly in Negril the previous weekend, but that did not have the stamp of a full-blown major, hardcore dancehall event; Guinness Fully Loaded, the annual sound system clash and live performance show centred around Bounty Killer, does. And while the Negril on-stage meeting was, by all accounts, short and spontaneous, Saturday's was extended and appeared planned.

The onstage reunion came at the close of an event which was very short on excitement, very long on expletives and virulent anti-gay sentiment and at many times downright boring, Sky Juice and Jazzy T's party-style presentations being outstanding exceptions (especially the latter, coming in the closing stages when Fully Loaded desperately needed a shot in the arm). Also, Japanese sound Barrier Reef's war-style segment, complete with a sword-wielding frontman, went over well, as did the only head-to-head clash of the night, between Flava Squad and Rolexx, which the latter won overwhelmingly......Readmore
Source JamaicaStar by Mel Cooke 

Maxi Priest Delivers At 'The Weekend'

Night two for organisers Clear Concept finally gave birth at the historic Rose Hall Great House in the second city. The duo Dwayne Smalling and Gary Codner had already broken water for the 'fetus' during the opening night's beach party at the Iberostar Grand, Friday night, and by Sunday afternoon were busy placing the finishing touch at the christening at the 'All White' affair at The Palmyra.
Three days of partying for the mature and sexy, were enough for those who came to 'Discover, Escape, Indulge', and it took the magical hands and the creative minds at Thai Flora to recreate the scenes that complemented this adult alternative event.
In fact, it was the lyrics to the music of the late Prince of Reggae Dennis Brown that heralded the Lazarus Foundation-sponsored Maxi Priest on stage last Saturday night - "Should I have faith in you", was all that the 'Priest' had to say for the intimate gathering of some 200 people to gravitate towards the front of the stage.
Not even the ranting of the self-proclaimed 'Best Rapper in the World' 'DMC' formerly of RunDmc received the attention that Maxi Priest got when he made his entrance ten minutes after midnight.
The English-born Priest, who has adopted the Jamaican roots reggae, proved within minutes on stage how it felt to be loved and how it feels to be entertained by a star performer Just a Little Bit Longer.
When he drew for Wild World, the Americans, Caymanians, Spanish, Germans, Canadians, Dutch and Jamaicans and other nationalities in the audience went wild.
Here was a melting pot of cultures, richly blended by the universal force of music.
The Spanishresor Gran Bahia Principe had cooked the delicious food, while the Jamaican/German couple, Paulette Thai-Hossman and husband Sascha Hossman had done the fabulous decor, making Montegonians extremely proud.
Although Michele Rollins was absent because she was making waves on the campaign trail in the United States, her presence was felt at the great house she owns and operate....Read More
SOURCE Janet Silvera